
Review: Chris Brown employs creative storytelling for âIffyâ video
American Singer-songwriter Chris Brown recently released the music video for his single âIffyâ and there is so much to say about it.
Directed by Award winning South-Korean filmmaker Joseph Khan, âIffyâ employs creative storytelling to awe viewers.
âIffyâ Music video review
Review based on:
â Direction
â Relatability
â Storytelling
â Setting
â Sync
1) Direction
âIffyâ was actually well-directed. The choreography and lip syncing are on point, and the synergy between Chris Brown and the other performers left nothing left to be desired.
However, there may be some shortcomings. âIffyâ is a song about distrust; how Chris Brown finds it hard to ââŠ.trust these hoes cause they iffyâŠâ.
But throughout Iffy music video, this idea is not distributed.
There seems to be an amount of gap in understanding as to how he canât trust them. We see a heist in the beginning, but even the betrayal is not as expressive as it should be.
In music videos, show and tell is the unspoken standard, but even the showing and telling here is not expressive enough to emphasize the theme of the story.
Read: Skiibii âBaddest boyâ ft Davido: What does the song need? {Review}
If there had been more scenes that showed betrayal, viewers would have âfeltâ something at the end of âIffyâ music video.
If anything, all we feel is a rush of thrill at the âtransfomers-likeâ robot and the car stunts in âIffyâ. We donât get to feel the lyrics in the video, and this defeats the purpose of the theme to an extent.
âIffyâ is definitely not soul music, but there must have been an expectation that viewers should feel an amount of sympathy and like-mindedness like the singer, but this is entirely missing.
Apart from this, the direction of âiffyâ is on point.
2) Relatability
âIffyâ is a very relatable music video that makes you feel like you are a watching an intriguing trailer of one of your favorite movies.
The car stunts are not supposed to look unique, but we have to admit that it beats some Fast and Furious parody.
The fact that it just drops in our face while we donât expect it, makes us feel âOhâŠdamnâ. Which is how itâs supposed to make viewers feel.
The transformers idea is not a bad thing too, it employs an element of surprise for even Chris Brown and passes this astounding moment to us.
3) Storytelling
One of the noteworthy things about âIffyâ is how the story does not drag long or try to picture it as though the video were actually telling a story.
The storytelling makes âIffyâ very addictive. We actually follow through even when we donât want it. This is mind-blowing because âIffyâ takes away our choice of consent to follow the story and makes us stay glued to get interested enough as to how it all ends.
Although âIffyâ ended on an inconclusive note, it doesnât take much from the video because we feel the storytelling is enough to cover for this flaw.
4) Setting
Kudos to Joseph Khan on the setting of âIffyâ. Itâs nice that we are not stuck in a single setting because âIffyâ cannot thrive in such setting.
Read: Is âThe Matrix Resurrectionsâ a good movie? {Review}
It would have been boring. Although it would have helped if one or two more settings were added, we can still take the number of setting we have so it doesnât take us away from the storyline.
5) Sync.
The performance in âIffyâ was just the needed ingredient to make the music video a thrilling watch. We are surprised to see Chris Brown do some stunts and participate in some cool Choreography.
It gets to a point in music videos when the artiste just lip syncs and allows the choreographers do all the work. It may seem lazy sometimes. And the aim of this may be that the focus should be on the singer.
However, what people donât know is that the focus is somewhat lost on the choreographers without the participation of the singer. But with Chris Brownâs involvement, we are interested in the Choreography and the sync is exalted.
â Direction: 1.4/2
â Relatability: 1.5/2
â Storytelling: 1.6/2
â Setting:1.3/2
â Sync:1.7/2
âTotal: 7.5/10
Chris Brown âIffyâ lyrics
Pinky ring worth âbout two-fifty (ooh, ayy)
Two-tone my Lambo, thatâs drippy (ooh, ayy)
Bottle after bottle, now she tipsy (ooh)
Canât trust these hoes âcause they iffy (ooh, ayy)
I know that your best friend gonâ slide now (ooh, ayy)
Party at my house, thatâs a vibe now (ooh, ayy)
Ballinâ on these hoes like LeBron now (ooh)
She spittinâ off the top, thatâs a freestyle
Ayy, Iâm âbout to run it up
Iâm âbout to pull up in that motherfuckinâ Bentley truck (ayy)
Got some bad bitches and they âbout to fuck it up (ayy)
And we takinâ shit over just to sum it up, sum it up
Yeah, I need my commas, lilâ bitch
I ainât playinâ, man, I put that on my mama and shit
Twenty-four on the jersey, just for Mamba and shit
Vince Carter on the beat, I put my arm through the rim
Itâs your birthday
Put your hands in the air if itâs your birthday
And you know we donât give a fuck itâs not your birthday
You should be throwinâ that back in the first place
Itâs Breezy, I know you heard of me
Ooh, yeah
Pinky ring worth âbout two-fifty (ooh, ayy)
Two-tone my Lambo, thatâs drippy (ooh, ayy)
Bottle after bottle, now she tipsy (ooh)
Canât trust these hoes âcause they iffy (ooh, ayy)
I know that your best friend gonâ slide now (ooh, ayy)
Party at my house, thatâs a vibe now (ooh, ayy)
Ballinâ on these hoes like LeBron now (ooh)
She spittinâ off the top, thatâs a freestyle
Iâm about to turn it up a hundred degrees
Got my baby goinâ up, flight overseas
I donât know where your girl at, she missinâ
Iâm a bad boy like a Detroit Piston
Nigga, I might smash on yoâ bitch, Mitch Richmond
Cookinâ up that hot shit, yeah, we in the kitchen
You been workinâ out, girl, lookinâ real temptinâ
The way you make it clap, tonight I might care for you
Itâs your birthday (birthday)
Put your hands in the air if itâs your birthday (birthday)
And you know we donât give a fuck itâs not your birthday (birthday)
You should be throwinâ that back in the first place (first place)
Itâs Breezy, I know you heard of me
Ooh, yeah (ooh, ayy)
Pinky ring worth âbout two-fifty (ooh, ayy)
Two-tone my Lambo, thatâs drippy (ooh, ayy)
Bottle after bottle, now she tipsy (ooh)
Canât trust these hoes âcause they iffy (ooh, ayy)
I know that your best friend gonâ slide now (ooh, ayy)
Party at my house, thatâs a vibe now (ooh, ayy)
Ballinâ on these hoes like LeBron now (ooh)
She spittinâ off the top, thatâs a freestyle
Yeah, letâs play
Your body makes me feel a way
Just make it shake
I want you to put it all in my face
Make it nasty
Bad bitch (bad), walked in (walked)
Her friends locked in (yeah), top ten (whoa)
Toxic I am, yes, maâam (yeah-yeah)
And if they hatinâ on you
I might have to kick âem out
âCause itâs your birthday (itâs your birthday)
Put your hands in the air if itâs your birthday (birthday)
And you know we donât give a fuck itâs not your birthday (birthday, yeah)
You should be throwinâ that back in the first place (first place)
Itâs Breezy, I know you heard of me
Ooh, yeah
Pinky ring worth âbout two-fifty (two-fifty, oh, ayy)
Two-tone my Lambo, thatâs drippy (yeah-yeah, I did that, ooh, ayy)
Bottle after bottle, now she tipsy (tipsy, yeah)
Canât trust these hoes âcause they iffy (ooh, ayy)
I know that your best friend gonâ slide now (I know, ooh, ayy)
Party at my house, thatâs a vibe now (vibe, ooh, ayy)
Ballinâ on these hoes like LeBron now (ooh)
She spittinâ off the top, thatâs a freestyle (freestyle)
Songwriters: Andre Young / Chris Brown / Curtis Jackson / Darius Logan / David Samuel / Dominique Logan / Edwin Perez / Jamal Gaines / Joshua Parker / Lumidee Cedeno / Michael Jimenez / Mike Elizondo / Patrizio Pigliapoco / Steven Marsden / Teddy Mendez
Iffy lyrics © Universal Music Publishing Group
Go to Home